简介：www.96kan.com 42178碟调网In a genre defined by shocking violence and psychosexual kink, it remains perhaps the most over-the-top "giallo" in EuroCult history: former MGM starlet and doomed James Dean paramour Pier Angeli (two decades past her Golden Globe award for "Most Promising Newcomer" and just one year before her tragic death) star in this ultra-lurid epic packed with decapitations, pet vultures, creepy incest, groovy fashions, cyanide baths, swirly psychedelics, inexplicable plot twists, Nazi death camp flashbacks and more. Eleonora Rossi Drago, Fernando Sancho and Luciano Catenacci co-star in the 1970 sickie that would make Sigmund Freud himself scream in horror. Unfortunately, IN THE FOLDS OF THE FLESH is presently only available with an English-dubbed dialogue track. [Dubbing is generally avoided whenever possible (though not an option in this particular instance).]

简介：www.96kan.com 42178碟调网<p>UmbertoLenziisundoubtedlythekingofItaliancrimemovies,butunfortunately;SyndicateSadistsisnotthebestexamplesofhisworkinthisgenre.Lenzi’scrimeflickstendtobeacutabovetherestbecausehemakesfilmsbasedonstorieswithapoint,andtheydon’tlackdirection;butthisfilmfeelsabittoowaywardtofullyfitwiththerestofhisstuff.ThefilmtakesobviousinfluencefromSergioLeone’slandmarkwestern’AFistfulofDollars’(whichinturn,tookinfluencefromAkiraKurosawa’slandmarksamuraiflickYojimbo),inthatitfeaturestwowarringfamiliesandastrongcharacteratthecentre.ThecrimethatLenzifocusesoniskidnapping,andwecentreonacharactercalled’Rambo’.Ramboisdraggedintothewarbetweenthetwofamiliesafterhisbrotheriskilledbecauseofit.Rambouseshisbrainsandbrawntopitthetwofamiliesagainstoneanother,inthehopeofgainingrevengeforhisbrother’sdeath,rescuingayoungboythatthey’vekidnapped,andultimatelylettingthetwosidesdestroyoneanother.Thefilm’sbiggestassetisundoubtedlyTomasMilian.MilianwasputtogreatusebyLenziinalmostallofhiscrimethrillers.TherangeofcharactershehasplayedforLenziisimmense,andthisoneiseasilyoneofthecoolest.ThecharacteriscalledRambo,whichimmediatelysprangtomindthepopularSylvesterStallonecharacter-butforonce,theItaliansactuallyhaven’tstolenthisnameasSyndicateSadistswasreleasedfirst!Asusual,thefilmiswickedlyentertaining,aswegettowatchMiliangethimselfinvolvedintheusualarrayofcarchases,shootoutsandbrawls.Lenzihasgothimridingamotorbikethistimeround,andeveryscenefeaturingitandMilianisarealstandout!However,thefilmoftenfeelslikeitdoesn’treallyhaveanywheretogo,andthismeansthattherunningtimeisstretchedoutmorethanitshouldbe.ComparedtothecrimefilmsofotherItaliandirectors,SyndicateSadistsismorethanaboveaverage;butinrelationtoLenzicrimeflickssuchasAlmostHumanandTheCynic,TheRatandTheFist-itdoesn’tstandtallasoneofLenzi’sbest.Still,ifyou’relookingforninetyminutesoftestosteronefuelledmayhem-SyndicateSadistswillsuffice!</p>

简介：www.96kan.com 42178碟调网<p>Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi&#39;s crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don&#39;t lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone&#39;s landmark western &#39;A Fistful of Dollars&#39; (which in turn, took influence from Akira Kurosawa&#39;s landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called &#39;Rambo&#39;. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother&#39;s death, rescuing a young boy that they&#39;ve kidnapped, and ultimately letting the two sides destroy one another. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<br/> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;The film&#39;s biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven&#39;t stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn&#39;t really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn&#39;t stand tall as one of Lenzi&#39;s best. Still, if you&#39;re looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!</p>